Saber began with a “lowercase,” a series of blackletter, uncial and celtic forms that appeared toLeslie Cabargain a designer’s dream. From these illusory nocturnal images, a wide awake Cabarga dreamed up extravagant orgies of capitals, highly original forms hinting at past Victorian frenzies, establishing beyond any shadow of doubt that “nothing exceeds like excess.” Saber may be set entirely in lowercase, or with initial caps; FB 2002